Gene Siskel Film Center
164 N State St
312.846.2600
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Dillinger Is Dead (1969)
May 29, 2009 – June 4, 2009
Mondays (8pm)
Tuesdays (6:15pm)
Wednesdays (8pm)
Thursdays–Fridays (6:15pm)
Saturdays (3:15 & 7:45pm)
Sundays (5:15pm)
(schedule)Gene Siskel Film Center
164 N State St
312.846.2600
$9
Since being certified a masterpiece by the likes of Jean-Luc Godard and Cahiers du cinema in 1969, Marco Ferreri's controversial humdinger Dillinger is Dead has been largely AWOL on most tastemakers' radars. Until now. With oblique, slow-roast episodes that could enter Italian archives as "Bored Bourgeoisie, 1969," Ferreri's minimalist satire on modern alienation remains a loaded gun, one certainly unfit for those spectators who want a bulletpointed plot. Distilled to its most basic state, Dillinger concerns the long-coming "awakening" — condensed into one unremarkable night — of square designer Glaucho (Michel Piccoli). The critique's subversive effect is near imperceptible until it's too late; it's only after a chiefly mysterious, meandering runtime that the viewer is treated to an in-your-face act that's not unlike a sudden whiff of smelling salts.
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