British artist Richard Galpin was born in 1975 and began erasing text and images in 1997. Then, he discovered a simple technique in 2001: with the aid of a scalpel, he found he could score and peel away the surface emulsion from his own photographs to produce a stripped-back version of the urban landscape. The dynamic constructivist-influenced works he now produces are still made this way — from a single partially erased photograph — but the works now manifest futuristic new forms. The exquisite delicacy of the execution belies the destructive undercurrent of the project: is this a utopian or a dystopian re-imagining of present conditions? The works for his current exhibition at Hales Gallery, London are excised photographs of New York, Chicago, London, and Manchester.