Fritz, along with his brother Paul, rules German minimal with soul-inflected house beats.
Fritz KalkbrennerCameo Gallery (93 North 6th Street, Brooklyn, New York, NY) Map it $20
It’s no secret that Fritz Kalkbrenner is a full-fledged soul boy. But with a voice like his, how could things have turned out any other way? Soul music is the foundation of all his musical endeavours. And like an emotional and aesthetic thread that he weaves through his music, soul, in fact, holds together his diverse musical influences such as hip hop, techno and house. Growing up in the shadow of real socialist prefab buildings in the Lichtenberg dis- trict of Berlin, Fritz Kalkbrenner was a couple of years shy of being able to participate directly in the anarchic techno mayhem that followed right after the fall of the Berlin Wall, when new possibilities and freedoms opened up in East Berlin within a short period of time. At the beginning of the 1990s his older brother Paul and his best friend Sascha Funke went crazy for techno beats, while hip hop artists such as Eric B. & Rakim, KRS One and Wu-Tang Clan were Fritz’s heroes who could do no wrong. He studied their flow, memorised hundreds of lyrics and learned how to tell stories – all basic research that would later benefit him. At the end of the 1990s (in 1997, to be exact) he, too, was blown away by techno and turned into a devotee of the clubbing scene as did many others of his generation. Le- gendary clubs in Berlin such as WMF, Tresor and Suicide Circus became his haunts for doing a new kind of research. Partying feverishly, Fritz decided to start making music himself. One thing he knew for sure – his voice would be featured on the tracks. With the release of Forms & Shapes in 2003, a plaintive piece appearing on Sascha Funke’s debut album Bravo, his very first step as a singer immediately landed him a veritable club hit. Further collaborations followed with artists such as Alexander Ko- walski, DJ Zky and Monika Kruse, but he never stopped honing his skills as a producer – on equipment that once belonged to his brother Paul. And soon, Fritz was ready for a live show. In the autumn of 2008 the song Sky and Sand appeared on the soundtrack to the movie Berlin Calling, the first project Fritz and Paul worked on together. It made the charts, and both Fritz and his voice gained international recognition. Not only was his first solo production practically in the bag, but he also found likeminded individuals in the heads of the Suol music label, Chopstick and Johnjon, hip hop aficionados who im- mediately recognised Fritz’s artistic potential. The three of them quickly agree to start working on a maxi single and then go on to make a first album.