Although stage actors don't often receive the fame and fortune accorded to their big- and small-screen counterparts, they're faced with the nightly demand of summoning the spirits of their characters as each moment unfolds. Ñaque delves into the nature of this challenge by chronicling the misadventures of two misplaced 17th-century actors who have been cast through time, landing in the present with a trunk full of outdated theatrical props. What follows is a series of philosophical debates and existential hijinks in the spirit of Samuel Beckett's Waiting for Godot.
– Jason Jeffers