In two separate exhibitions, Beka Goedde and David Meanix present the fractured beauty of cityscapes and human faces, exploring in tandem the relationships between people and the world they inhabit. Meanix's "photosculptures" are torn and reconstructed portraits that invoke the personal struggles of his subjects. The tears and fissures distorting these images ultimately act as bonds, with the light of a religious icon shining through. Goedde, meanwhile, layers her birds-eye visions of city grids and shantytowns with both delicate and industrial layers: plywood and linen, Japanese paper and plaster.